Maya Matlin (
lastexit) wrote in
daybreakacademy2019-02-17 08:20 pm
Entry tags:
Danger Zone
WHO: Maya, some open, some closed
WHAT: A collection of things for the latter half of February
WHEN: Let's not focus on details like that
WHERE: All over
NOTES: Various things will probably be tagged with specific content warnings as they come up. The usual Maya stuff. Also her permission post as is standard.
(Open) A. Learning Lessons
WHAT: A collection of things for the latter half of February
WHEN: Let's not focus on details like that
WHERE: All over
NOTES: Various things will probably be tagged with specific content warnings as they come up. The usual Maya stuff. Also her permission post as is standard.
(Open) A. Learning Lessons
After the dance Maya's more than a little... aware, of her shortcomings. And if she plans to help put this final countdown on hold, she'll need to step up all the skills she uses. She isn't a fighter because learning to fight has never been one of the things she was good at, she's the band nerd sister. If Katie had powers, she could beat up anyone she wanted. But here she was.(Open) B. Practice makes Perfect
So Maya can be found making a pest of herself in the Legionnaire Quarters, working out and trying to keep in shape. She's also skulking around the Mythril Cage watching other people spar and practice, she might be impossible to hear coming but she's very visible if you look at her. And asking all sorts of questions about what can be made when she's around the Anvil of Hadur.
All her activities run toward the same idea: what sort of tools can be made to fight with, that are easy to learn, and can be minimally loud magically speaking. That last one propbably takes more explaining than Maya directly offers.
Maya's taken over one of the band practice spaces and set up several speakers and music playing devices she's found in storage. Record players, a boombox from the 70s, her computer, her phone, each one playing a different 'thing' for her to practice on. Mix tapes, Best of Queen discs, youtube covers, a few TED talks.(Open) C. Overcoming Obstacles
A bunch of things that shouldn't be playing at once. And fortunately for those that pass her door... only one thing is making noise at a time as Maya practices muting the various objects around her. Controlling the sound so that only one thing can be heard and all the other objects in the circle around her are quiet.
...Of course sometimes trying to balance so many things at once gets too much and she gets frustrated, turning off the sound of everything in the building for a few seconds. But- what can you do, you have to practice right?
Maya had a half-dozen objects made, tiny things the size of baseballs to be hidden around the school for her to go and find. She enlisted her friends to help her on this. Each one had a magical camouflage to them, that once set would make them invisible. But as it's magic, it meant it created a specific noise that Maya could follow.W.Wildcard
They were meant to do two things, first is she had to hear past the chaos of the campus to find them, helping to control how overwhelmed her senses were. The second was to work on hearing things further away, focusing her mind to better track a noise.
No point in learning to fight, while letting her natural gifts degrade to being useless in the process.
So Maya's moving around campus trying to grab things from trees, under bushes, and in the various buildings. Invisible things. Naturally this looks weird to anyone who doesn't know her.

CLOSED to Hector - Sound of Strings
--- Later that Night...
Maya couldn't find Hector during the day, she looked but he just- wasn't anywhere, so she did the smart thing and went into town. Then listened for where he might have been to go find him. She had to talk to him anyway, give him back his money now that she had a new plan for how to defend herself... eventually.
But now she had a new reason to see him, and it was more pressing than that. Much more pressing. It didn't make any sense, and it seemed like she'd get more answers from Hector than Ms. Rivera. And there was much less chance of Maya needing to answer for her own past talking with the more open of the ex couple.
Once Maya found Hector she did what she normally does, forget she doesn't make any noise and sneak up on him. "Who is Ernesto de la Cruz?"
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And then suddenly, there's a voice there behind him, and he's letting out a high scream. The list goes fluttering off and the cane clangs to the ground and he whirls only to find a girl, no monster at all. His hand goes to his heart, the other to his knee as he slumps.
"Oh... Maya... dios mio, don't do that to me. Oh god..." He groans and rubs at his face, reaching down for his cane and bracing on it then as he catches his breath. "I'm sorry, what did you say...?"
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"Ernesto de la Cruz. Who is he?" She's going to offer him his list while repeating her question. She'd researched the name but couldn't connect him to Hector, just that his guitar was definitely the guitar.
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He steels himself, closing off with a frown. He turns his eyes down, dusting off that list and folding it up to tuck away. And have the excuse not to look at her.
"Some famous musician?" He just barely keeps the venom from his voice. "Why are you asking me?" Did Peter tell her?
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"I heard him play while I was doing homework. He's playing your guitar." Maya's arms cross over her chest as she considers how to better get an answer. "Now, wanna try again at who he is?"
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CLOSED to Sari - Tattoos and Touch
That wasn't the only reason Maya wanted to talk to the rune expert, but it was certainly an interesting way to break the ice. Maya listened at the door to hear if Sari's magic was in, took a steadying breath, and knocked on the door. And fortunate for Maya... she made noise on the very first attempt.
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"Oh hello," she grins. "What brings this luck to my door?"
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Well, she might as well call that one in, given the topic will be runework anyway. It's totally academic and not- you know, cute girl has been flirting with her.
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"Why don't you step into my office, Miss Matlin..." She steps aside so that she can enter. The room is neat and well kept for the most part, although the very cluttered desk with ink bottles, scraps of metal and a metal engraving kit laid out on it is obviously Sari's. There is a two-foot tall golem on the floor propped against the desk that moved its head to watch them but did not move from its location.
"You can sit in the chair, or on the bed. Whichever you prefer."
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A
He's here to see if the spells on his knives need renewing, and to maybe do a little maintenance that he doesn't usually have the time for.
"Miss Matlin! What a surprise." His voice is pleasant as ever. "What business brings you here today?"
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She hesitates, not sure where to start with what she's looking for, but that Mr. Gehring would probably know something to help, from what she's seen of him in combat, "Maybe figure out what spells weapons can have that are more... pleasant, for me."
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"Though perhaps I should phrase it another way. Are you prepared to risk someone else's life at your hands, even on accident? It's a heavy burden, to take one up."
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"I... know that I need to do something, doing nothing is just as much of a risk to someone else's life." She wasn't able to do much in Paris, she couldn't even keep track of one of their party (although Killua is terrifying so she shouldn't blame herself). And the demon fight she got so overwhelmed she needed rescuing. "But I've never touched a weapon in my life."
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C
Rather than ask what she's doing, Otoha decided to just watch her for a bit, not exactly hiding herself but not saying anything either. Let's see how long it takes her to notice.
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Fun fact, all of Maya's reaching into the bushes. No noise, from her, from the bush, from the thing Maya grabbed that is invisible.
"Some reason you're watching me?"
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Maya plays with the- whatever invisible thing she's holding is until she finds the switch and it turns into a fairly dull looking steel gray sphere. Then she slips it into her pocket. "It's to help me hone my senses, finding things people hid for me."
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A (Mithiril Cage)
[Upon reaching the cage, she'll probably notice the blood splatters first, the white feathers that are absolutely everywhere second, and the fact that there's literally nothing else in there third.]
[The noises haven't stopped. There's a monitor over there.]
[Take a look?]
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*So, yes, she'll start out watching from the monitor room. A hopefully safe(ish) spot to observe from for now.*
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[Well. That's interesting. While the cage itself looks empty, on the monitor trained on that same space, there's what looks like a librarian in a catsuit fighting radiant turkey creatures. Maybe she recognizes her as the school lit teacher, maybe not.]
[Well... maybe "fight" isn't quite the term for it. That implies a certain even capability between parties. At one point the stiletto-heeled woman punts one of the heavy creatures into the air with astonishing strength before unloading a cache of bullets from a very big gun into it in midair. Another takes a swipe with those holy polearm things; she backbends at the last second, firing a pistol... from her heel? (Yes. Her heels have guns.) into her attacker, blasting it back with a flurry of feathers. A third tries to swipe at her in melee, and she blocks it and forcibly rips the offending arm off of the creature with the kind of sound one wouldn't expect living flesh to make when torn apart.]
[Meanwhile, in the real world, more feathers and blood scatter onto the floor of the empty arena. Yeah. Maybe "slaughter" is the better word for what's going on here.]
Whoo! Thanks, boys. I needed that... I probably shouldn't use this thing to host these kinds of parties, but it's better than heading down to the village cathedral every day. After all, I'm a busy woman.
[Cereza says to the room, now devoid of any other living creature. Her voice is audible through the monitor speakers and, possibly, echoed through the open aether to Maya as well.]
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*It's gross, certainly, but not really enough to move that stillness that snaked through all of Maya's being. She looks over the monitoring equipment to find the right controls for what she wants. A microphone and a call button. To speak into the room, and she hopes into whatever other plane is connected to the monitors.*
What exactly is that, I mean where you are- were? While fighting those things?
*Being able to hear things just outside of reality might be a pain, but it should have some use. She'll ask about how you pull the trigger on guns strapped to your boots later. That's not as pressing.*
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Anvil of Hadur
Rex considers every question carefully and answers them all with the sort of precise knowledge that is expected of him- or a promise to find out for her. His patience is just about infinite too. He has time- he's working on three things at once and keeps it up. He's arranged workbenches around in him a square, rolling from one to the other whenever whatever thought processes run through his head dictates it's best. He also may have insisted she wears proper eye protection.
One bench is for his rifle, what was once an AK-47 by now has been transformed piece by piece into something completely unique as every repair came with an upgrade. The other is constructing some sort of mechanical device with glasswork- it's actually a tea maker, but it kind of looks like it's a weird chemistry item. The third is the least visited, mostly just checking the elaborate device for coiling incredibly thin threads around each other to make thicker strands isn't tangling up.
The fourth just has a boombox, he's playing Motörhead today.
"Anyway, the easiest weapons in the world are almost certainly guns. Most of the training is about how not to accidentally injure yourself. And they're very good at killing things- so much so they have all but eradicated the usefulness of all other weapons in a very short timespan, historically speaking," he continues to explain as he carefully files a new part of his own rifle to the precise size he needs it to be. "They're not always as useful in the Real World as they are against conventional forces, but there's not much that doesn't at least dislike a 500mph piece of metal striking them and the older magical creatures sometimes forget they exist. I supplement mine with magic as well."
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What, it is!
Maya's not touching anything, but she is taking in the various sounds all the magics are making. As best she can anyway, lots of noise from the projects Rex has. As well as louder projects from nearby. Maya's trying to put his commentary about firearms into terms she best understands. As easy as it is to just accept guns beat everything else. Guns are a known quantity so there has to be a natural evolution for magic to counteract them.
Also, as she understood, different guns did different things. At least according to Grace, who knew a bit about stuff like that. "How easy are they to modify for magical uses? I imagine that the runework is easier on a knife or something."
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"It depends upon what you wish to achieve," he explains as he raises a hand- there's some more of that techno that indicates his unconventional casting, tiny delicate pieces of his weapon floating up and clicking into place in ways that would be extremely difficult to do with his hands. "For the most part, I've focused on increasing the conventional effectiveness of the weapon."
Because like he says- most things don't like getting shot, so make your gun better in general, and it'll cover most problems.
"I then perform quick, short duration enchantments in the field when necessary." It suits his style of being ready for anything and having limited specialisation. "But you're right- inscribing a knife to burn when you swing it is much easier than making a gun that sets all its bullets alight- there's a lot of moving parts there, literally and figuratively."
He pops open one of his little pouches on his belt to offer up a bullet to her. It has been covered in runes. And maybe someone's name.
"You have to do this if you want the bullet to do something special."
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Could she.
And then the idea of making the weapon less lethal, using magic not to increase power, increase 'conventional effectiveness,' but specialize it's use. It felt childish, sad. The fate of the world and she wanted a stun gun. "I know what I don't need, I can probably fire a rocket launcher and if I do it right nobody would hear it. If I had half the training some people here have, the things that changed their sound, I could probably kill anyone I wanted. But I have no idea how to turn what I have into a something useful."
Not without giving up what little of herself she had left. The parts of her that almost looked like who she was a long time ago.
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