Before she left, Tatsumaki said something like that. That how you think or process things might affect how it's shown to you. I didn't really get it at that point, but I think it makes more sense now.
[Trying to imagine Nana's visions is strange. To be that removed from it, but not distanced. Just watching it all.]
Can you ever... look away?
[He nods, and there's a small smile at her last question.]
Painting helps a lot, because sometimes I can't describe things right with words and there's somehow more feeling in it than words and sketches in my notebooks. It's... alive. I don't show them to people like intentionally, because that probably still counts as "inciting panic" and "spreading impending doom" or something, but they're down in one of the art rooms in Theatre Lenormand if you ever want to look at them. And I keep pictures of them for reference.
no subject
[Trying to imagine Nana's visions is strange. To be that removed from it, but not distanced. Just watching it all.]
Can you ever... look away?
[He nods, and there's a small smile at her last question.]
Painting helps a lot, because sometimes I can't describe things right with words and there's somehow more feeling in it than words and sketches in my notebooks. It's... alive. I don't show them to people like intentionally, because that probably still counts as "inciting panic" and "spreading impending doom" or something, but they're down in one of the art rooms in Theatre Lenormand if you ever want to look at them. And I keep pictures of them for reference.